Building Worlds. Anchoring Imagination.

Tommy Toucan | Shanghai

Monumental Character at Architectural Scale

Commissioned by Hongkong Land for The Ring Live in Shanghai, Tommy Toucan rises 8 meters into the skyline — a landmark figure from the universe of Ken Kelleher aka Anchorball. At nearly 30 feet tall, the sculpture translates a signature character into architectural presence. The exaggerated beak and upright stance retain the language of play, while the structure asserts permanence. What begins as character becomes landmark. Engineered for long-term installation, the work anchors the surrounding development with a distinct visual identity — transforming space into place. Installed in June 2025, Tommy Toucan marks Anchorball’s expansion from collectible sculpture into the built environment.


Willy & Winky | The Highley House, Wynwood

Landmark Characters in Residence

Installed at The Highley House in Miami’s Wynwood Arts District, Willy & Winky are recurring figures from Low Orbit City within the universe of Ken Kelleher aka Anchorball. Positioned in the courtyard and skybar lounge, the sculptures operate at architectural scale, embedding character-driven form directly into the structure of the building.

Included in the George Perez Collection.


Ghost Mawse

Ghost Mawse is a recurring figure from Low Orbit City within the universe of Ken Kelleher aka Anchorball. Rendered in high-gloss black and white, the surface disrupts the familiar silhouette, shifting the character into a more distilled, graphic form. Available in 150 cm and 120 cm editions. For availability and acquisition: Contact the studio.


A selection of limited editions from the Anchorball universe.


Fabrication

Monumental works in production. Engineered for scale. Built for permanence.

Thoughts on my work and process

Whether it’s a personal place, corporate, communal, institutional, I see art as a means of engagement to provoke thought, dialogue, introspection and conversation. Sculpture for me is an inquiry into the deep mysterious nature of things. When utilitarian use is taken away from an object, a series of objects or forms, what remains? Another artist once said, 'Sculpture is a journey of curiosity made visible’ - which I agree with. I like the idea of taking basic, elemental shapes and inflating them, altering them, stacking and shaping them. Once I’m done with one piece I usually have ideas for several others. The amount of variety that can be produced by moving one or 2 shapes through space is amazing. I like taking say 3 basic forms and uncovering all the possibilities of how it can be arranged. Then there’s material, which adds another layer of interpretation and process. The visual expression I try to achieve is one that is open to interpretation. In one piece someone may see something playful, or whimsical, in another it may feel strange. Think of these huge, non utilitarian forms, set down in the midst of our busy world, which accelerates even more every year. The sculpture may get in your way, may interrupt your path. Does it make you stop? Does it make you wonder?

Whether the work is large scale, or a smaller more intimate piece, my work is about placemaking, creating work that responds to the space around it and creating delight.

In a world where imagination is often the first element of humankind to be ignored, or tread into the ground, I seek to exalt what we are capable of making. Why be content with the commonplace, or to step back and watch machines, or corporations replicate what is around us in a way that doesn’t acknowledge our existence, our lives, what makes us human? I hope my work compels and inspires you, and pushes you to go beyond.

 Much love,

Ken

For commissions, purchasing information, projects, licensing and all other information, email us here.

US Call: 603.957.0484

International: +01.603.957.0480

Email: ken@kenkelleher.com

WHATSAPP: +01.602.957.0480