Loud. Joyful. First to be Glad.
A magnificent disaster of a creature whose whole vocation is to be the first one glad, at volume.
A big enough Gnash-laugh, it’s said, helps the city settle into its new arrangement.
Gnash announces himself the way a foghorn announces fog, if the foghorn were also delighted to be the foghorn: pink all over, a hooded jacket strung with rubber ducks that squeak in approximate harmony, and a mouth like a glossy pink cathedral.
His whole vocation is to be the first one glad, at volume, before the day has finished deciding what it is. A big enough Gnash-laugh helps the city settle into its new arrangement — the way one confident handclap convinces a room of strangers it’s a party.
People mistake his volume for the opposite of depth. Then they watch him pay full, riotous, unselfconscious attention to a stranger’s small offered wonder, and they understand: enthusiasm is not the absence of depth. Enthusiasm is generosity that forgot to be embarrassed. (His ducks, by the way, are lookouts — and they don’t miss much.)
Gnash is more than noise. He is the first one glad.
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